Skip to main content

This Monkey's Gone To Heaven

Doolittle, whose 20th anniversary was last Friday, is perhaps the least likely Easter release of all time, and, I think, one of the greatest pop culture products of the last 30 or so years. Anyway, it's a great album, and one of my ten favourite. The lines "If the devil is six/ Then God is seven!" must be among the most ecstatic and joyously weird ever sung.

Pixies albums are strange, exciting, exotic, and chilling events. On Doolittle, religion, surrealist film, mass murder, true love, general mania, desire, the body, and evolutionary theory, get flummoxed with sounds never before linked - ululating and alternatively crooning vocals, perhaps the creepiest, most plaintive of all time and most willing to go new places - and zanily, uncannily creative use of the rock palette of instruments. It's the album that, when you heard it, you knew you were "alt" or "indie". Heaven it was to be young in 1989.

Pixies were to music what Peter Lorre was to German cinema. Now, the irony we all know is, this 1989 masterwork prefigures everything good about Nirvana- the screeches then lyricism, the tenderness and odd medical obsessions, the fast and slow, the off-kilter sublime postmodernism of it all - being innovative and fun and off-putting all at once - and, whereas Nirvana became rich (and some became dead), Pixies became, instead, critical darlings, and, basically, commercial also-rans. This may be why Doolittle, after 20 years, smells still as off-sweet, whereas, will In Utero really remain classic?

Comments

Unknown said…
An all-time favourite with me.
Donald Brown said…
Yes! Great post, didn't realize we'd hit it's 20 year anniversary. It's an album that unsettled me at the time and which I still find myself surprised and provoked by. Amazing opening and closing songs too. One for the ages.

Good point about Nirvana too. Have to admit I haven't heard "In Utero" in quite some time...

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise...