Sad news. An age has ended, with the death of one of the great visionary British novelists of the post-Orwell era. With Burgess and Burroughs, JG Ballard can be said to have been one of the greatest darkly comic dystopian 'cult' writers of the last 60 years, inventing entirely new landscapes for a sociopathic Western society to expose and explore its drives and desires. Eyewear will be featuring a post by Patrick Chapman, one of Ballard's literary heirs, later this week.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?
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