Skip to main content

Third Wish Wasted

I've been reading Roddy Lumsden's fifth collection, Third Wish Wasted, which was launched on Friday. It's seriously good. Or rather, playfully good. Or both. Is there a better mainstream poet of his British generation, currently practicing now? Many might think so, I am not so sure. This new book is so full of word games, and new forms (charismatics, for instance), and delights for the mind and ear.

The poems are rich, sonorous, and always musical - though music varies, and so do these poems. Music, of course, is Lumsden's favoured realm - as is love, from sour to sweet - and how song and love merge well. This isn't a review, just a tip of the hat. Anyone reading Lumsden's work is likely to learn a few tricks of the trade. His growing oeuvre is increasingly exciting. I'd say he was a poet's poet, but his work is popular with more than just poets. Meanwhile, a whole younger generation of London-area poets has been tutored by him, and made better in the process.

By the way, I was astonished to read that Poetry had published 13 (!) of these poems previously - he also seems to be one of the UK poets most making headway in America. Others may claim to be the British Muldoon, but if Lumsden keeps going like this, he may, instead, be the heir to that ludic mantle.

Comments

Andrew Shields said…
I just finished the book this afternoon and am equally thrilled by it. Perhaps I'll find something to say on my blog soon, but at least on May 11, I'll have to have something to say, since I'll be introducing him in Basel!

Popular posts from this blog

A  poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....