Eyewear is always pleased to hear Jimmy Page play guitar, and to see Beckham kick a football, but feels that there's something rotten in Britain when the tired tropes of umbrellas and red doubledecker buses are hauled out to pass on the visual and symbolic Olympic torch. Worse still, though, for London's handover moment (8 minutes of rock and roll and bland choreography), was the lack of imagination - instead of flights of fancy and wonder, such as China displayed (or Athens before it), we were offered the familiar image of urban celebrity - a jaded air, a fug, of louche backstage pass cynicism hungover the handover - as if the 2012 Olympics were just one more reunion tour for some aging stars. London, and by extension, the UK - can and will do better than this, I am sure. Few other nations possess so much visual and verbal dexterity - Rowling, for one, could offer tips on how to do magic. This sub-Herman's Hermits moment, of bus stop torpor, must be by-passed quickly. London's swinging - hopefully as a pendulum, away from cliche, and into fresh, original, innovative design.
A poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.
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