The Canadian Griffin Prize for poetry has recently been awarded to two very deserving poets: Robin Blaser won the Canadian prize, and the international prize (both for best book of the year in their respective categories) went to John Ashbery. Both poets are (wonderfully) octogenarians, inspiration to all poets of all ages. Ashbery noted that he'd listened happily to CBC radio as a boy (as did I) which was a lovely aside. It is a measure of the insularity of Britain's main gate-keepers of poetry that Blaser is little known in the UK, if at all, except by a few, and Ashbery continues to be something of a guilty pleasure. Just last year, for instance, the TS Eliot panel passed up the opportunity to shortlist his latest Carcanet collection (the same panel failed to award genius Edwin Morgan the top prize). Well, Ashbery's one of the two or three finest living poets, whose music is hard to shake once heard. Glad Canada's on the ball.
A poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.
Comments
As for 'a measure of the insularity of Britain's main gate-keepers of poetry', that's camp hyperbole - take it out of eye-scratching code and say what you mean. Do you think he should have been invited here to do readings, that he warrants a Faber edition - let us know rather than bark.
Who exactly are these 'gate keepers'? Why exactly are they insular?