Skip to main content

Money and Amis

Martin Amis is a famous British novelist - maybe the most famous - and he thinks of himself as something of an Orwell, too - an essayist lucidly battling dogma and cant where he sees it. He is also a university lecturer, and his hourly rate has just been published, as £3000. That's just under 100 times more than most any other lecturer makes (it tends to be around £37). Obviously, the department was buying a brand, as well as a creative writing teacher - and the number of applicants went up by 50% when his position was announced. However, creative writing departments in the UK are dangerously close to making the same cheapening and trivialising mistakes the poetry community has already made of late - that is, in the process of seeking to popularise what they do, they have begun to use the marketing and PR techniques of the advertising and political spheres.

It is often said, sotto voce, that British Poetry needs a "Saatchi" - that is, a rich, spin doctor, to "sell it" to the public. Stuff and nonsense. All this branding and selling smacks of desperation, and sends the signal that creative writing departments are only relevant if, like at sexy London cocktail parties, you get to network with big names. Actually, the aim of such creative writing workshops, is to learn to write - and sometimes, the best workshop leaders are not the most famous, or the most over-paid. Amis is very aware of money's tasteless effects - others should be, too.
Labels:

Comments

Ms Baroque said…
Seemingly he doesn't mind them, though. Or maybe he thinks he's immune to all that.
Thu Jan 31, 09:50:00 pm 2008
Post a Comment

Popular posts from this blog

A  poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.
Post a Comment
Read more

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...
15 comments
Read more

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....
3 comments
Read more