Sipping Coke and playing games... words from David Sylvian's exquisite song "September". The burnished month of mellow sunlight, fading like sepia, from summer into autumn, has arrived, full of pencils for school, sharp and yellow, and tinged with sadness, tinged with a remembrance of those July kisses, those August goodbyes. With September comes responsibility, but, like a first date with winter, the serious business of dark night is yet to come, there is still a dalliance on the sun's doorstep, a last tilt at youth.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se. What do I mean by smart?
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