Skip to main content

Featured Poet: Martyn Crucefix


Eyewear is very glad to welcome British poet Martyn Crucefix(pictured) to its pages this crisp March Friday in London, the Ides of March.  Crucefix has won numerous prizes including a major Eric Gregory award and a Hawthornden Fellowship.  He has published four collections, including An English Nazareth (Enitharmon, 2004). His translation of Rilkeā€™s Duino Elegies was published by Enitharmon in 2006, shortlisted for the Popescu Prize for European Poetry Translation and hailed as ā€œunlikely to be bettered for very many yearsā€ (Magma). His new collection, Hurt, has just been published by Enitharmon.

Road

As noiseless bronzed miles
 slip rapidly past
they stand in lay-bys
  as if waiting in the wild
each dressed with care
     in this Catholic country
though not discreetly
   and this is not the city
passing one
         then another
         you realise slowly
the fifth or sixth time
   your stareā€™s returned
by shaded full-on eyes
    locked to your turning
the steady
       rise and fall of the big engine

In their strappy tops
   one clamped to a mobile
is talking to another
            there is community here
as you wind through
            gunning south
taking poorly-marked borders
      no destination

You try staring them out
         like a single shot
a bare possibility
       while at speed another car
moving in the opposite direction
its driver
and her husband
      barely registering
what with the young girl
        in the back seat
asking every scrap
         of their attention
how you pull across
how willingly you decline
the smoked silent glass

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

THIS YEAR'S BAFTAS

Last year, Eva Green won the Rising Star award at the Orange BAFTAs - and this year the ceremonies promise to be even more glamorous.  The striking film writers in America silenced the Golden Globes, and look set to do the same for the Oscars, which means London may get a world-class awards night. Eyewear , like all UK citizens, has yet to see some of the films nominated (members get sent copies to watch at home in some instances before general release), but can make some predictions - want to bet? Atonement will likely win Best Film. The Bourne Ultimatum should win Best British Film, though Control may do. The Bourne trilogy was astonishingly good genre work, and has rejuvenated The Bond series in the process, so deserves the kudos. Film Not In The English Language should go to The Lives of Others . Lead Actor will be Daniel Day-Lewis . Lead Actress will be the brilliant Julie Christie , whose work in the superb Canadian film Away From Her was so brave, and moving. Ja...