Skip to main content

NEW EASTER POEM, ON ANGLICANISM AND JESUS

Cathy’s Clown

 

‘I die each night I hear this sound / here he comes that’s Cathy’s clown’

 

As the Anglican communion withers on the vine,

After centuries of Brexit-like post-papal decline,

Britain finds its new age built on a looser soil,

 

Belief brittle, online, feckless and vainly personal,

As if the idea of a higher being was a crass magic

That the Francis Crick ‘team’ had finally licked

 

With an ace crackerjack vaccine that mainly works

When it infuriates the French, Germans and Turks…

What other church is overseen by a former oil exec

 

Who admits to often being a bit depressed, atheistic?

It’s difficult running a side-split faith organisation

Derived from a randy king’s desire for penetration

 

In multiple ways not approved of by the testaments –

Only in England could ‘bells and smells’ be meant

In the best possible way, could priests be somewhat gay,

 

Yet told not to sleep together, in direct contrast, say,

To their founding tediously ruthless King Henry;

And yet, at Easter, even this motley, torn committee,

 

By definition mediocre, part-human, half-manticore,

Has to pause to reflect on the past four quarters,

And recognise that saving billions to shut vestry doors

 

Is a downbeat from love the meek, ‘focus on’ the poorest;

The trees have walked out of the forest, leaving a lone

Branch, on which waits a BAME uneducated allophone,

 

Who represents the structural flaws in every system,

For it is not our fault to sin; the seam leads to him –

We can unravel our corporate suits of tailored silk,

 

It does no harm, he cries to us, spilling graceful milk,

It’s an anachronistic message that doesn’t poll well,

It ‘turns off’ the Tory libertarian, the woke millennial –

 

No one wants to be told what to do, especially by a man

Claiming odd truths that don’t hate on the Romans.

Pay your taxes, never judge a sexual deviant, or leper –


It’s unpalatably kind, cowering, no lion, a low purr –

A belly rolled over, a shrug, a sort of giving up to higher

Laws, forces, another self or mind, as if to forgive liars,


As if to sue for peace, bury hatchets, let complaint go.

Not as if, that is what it is, a way to not become fixated credo

Above the moment’s compassionate facts on the ground.

 

Which is why, after lifting to be bled out he made a sound,

A sad death-rattle, that slowly, silently, then louder still,

Broke half the world open as a boulder shifted uphill.

 

April 1, 2021

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise