Dr Shelley Roche-Jacques (pictured) was born in 1978 in
Sheerness, on the Isle of Sheppey. She studied at Sheffield Hallam University,
where she recently completed a PhD on the Browningesque dramatic monologue. She
also works at Sheffield Hallam as an Associate Lecturer.
She has collaborated with actors, musicians and other poets. She adapted her sequence about the life of the Pre-Raphaelite model Elizabeth
Siddal for performance and received Arts Council funding to write and perform a
sequence of dramatic monologues in response to an archive of Victorian flood
compensation claims.
Her poetry has appeared in magazines such as The
Rialto, The Wolf, Magma, Other Poetry, The SHOp, The Interpreter's House and
The Boston Review. A selection of her work is included in the anthology Ten
Hallam Poets, published by Mews Press and The Sheffield Anthology from
Smith/Doorstop.
Mouse in a Government Building
They've had their fingers burnt before
pulling rabbits out of hats.
We stay hushed in the seams
supposing that's the reason
They've had their fingers burnt before
pulling rabbits out of hats.
We stay hushed in the seams
supposing that's the reason
they
are demonstrating caution.
There is a rumour that somewhere
in the future there'll be traps,
that, going forward, they are planning
to dismantle the architecture.
We hear decision dates spill by
and cabinets bulge with problems
awkward as the faces shelved inside.
Morsels are brought to the table,
seasoned talk of aims and agency.
We take stock, make fit our purpose.
In the half-light we ply and fathom
the building. We will never tell them
which treaty right we are exercising.
There is a rumour that somewhere
in the future there'll be traps,
that, going forward, they are planning
to dismantle the architecture.
We hear decision dates spill by
and cabinets bulge with problems
awkward as the faces shelved inside.
Morsels are brought to the table,
seasoned talk of aims and agency.
We take stock, make fit our purpose.
In the half-light we ply and fathom
the building. We will never tell them
which treaty right we are exercising.
poem COPYRIGHT THE POET 2014
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