Skip to main content

Melita Hume Poetry Prize Shortlist: #10 POLLY ATKIN


Polly Atkin, shortlistedf for the MHPP 2012

Polly Atkin was born in Nottingham in 1980, and later lived in East London for seven years before moving to Cumbria in 2006 to conduct doctoral research on literature and place. Her poems have been published in various magazines and journals including Rialto, Orbis, Tellus, and Flax, most recently in Pilot Pocket Book 9 (Toronto), 1110/3 (Nottingham) and Magma 53 (London). Various of her poems have been placed first in the Troubadour (2008) and Kent and Sussex (2011) Competitions, placed third in the Strokestown (2004) and Ashbourne (2011) Poetry Festival Prizes, been commended in the National Sonnet (2007), McLellan (2009), Basil Bunting (2010), Wigtown (2010) and Troubadour (2010) Competitions, and shortlisted for the Wasafiri New Writing Prize (2011).  Her poem ‘Seven Nights of Uncreation’ was chosen for inclusion in the ACE Abolition! project, commemorating the Abolition of the Slave Trade Act, 1807, and published in the associated artists’ book, I have found a song (London: Enitharmon, 2010). Her pamphlet bone song (Clitheroe: Aussteiger, 2008) was shortlisted for the 2009 Michael Marks Pamphlet Award.  In 2010 her unpublished first collection was shortlisted for an Eric Gregory award. In 2011 she gained ACE funding to complete further work on the collection. She currently teaches English Literature and Creative Writing part-time at the universities of Lancaster and Cumbria.

Comments

Poetry Pleases! said…
Dear Todd

Is Enitharmon still in business? I know that they had their Arts Council grant slashed last year. How do people get ACE funding anyway? I had to write my eleven volumes with no financial help from any body!

Best wishes from Simon

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise...