Sad news. Jay Macpherson,
a poet of eccentric genius, and one of Canada’s greatest writers, has died. Evan Jones and I quickly agreed she was one
of only a handful of poets who definitely had to be included in our 2010
anthology for Carcanet, Modern Canadian Poets.
Born in June 1931 in England, she remained a quasi-reclusive figure for most of her adult life, albeit a
professor at the University of Toronto.
It remains a mystery to me as to why she is not known as one of the last
centuries best poets – her work was as
if Stevie Smith had the academic mind of Northrop Frye. Her style – quirky, mythic, brilliantly lyric
and concise, inspired me when I began writing.
She showed it was possible to write intelligent, elegant, sophisticated
formal poems in Canada.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se....
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