Skip to main content

Desolation Heathrow

BAA, which runs Heathrow, has admitted it turned down an offer by the British Army to help shovel away the snow and ice on its runways.  Instead, it went it alone, and has cancelled thousands of holiday flights, spoiling Christmas for tens of thousands of people.  It also only invested half a million pounds this year in cold weather removal gear, but boasted of profits of over 350 million.  Heathrow should be ashamed.  The truth is, British companies offload the suffering onto the British people, when bad weather strikes, shrugging their shoulders and blaming an act of God or aberrant weather, when in fact the fault is in their own balance sheets - the weather is perfectly ordinary at Christmas (we had snow last year too) and such snowstorms, in American, Canadian, or Russian, cities, would be shrugged off, as minor, easily de-iced and cleared away.  This is incompetence with a human cost.

Comments

Urban Kisses said…
British Companies are not always limiting their suffering to the British people - the chaos at Heathrow has had a knock on affect across the globe.

As an expat, I often have family to visit at Christmas - not this year sadly as we know from past experience that bad weather and bad company policy can truly throw a spanner in the works.

B.
Poetry Pleases! said…
Dear Todd

Tell me about it! My sister is stuck in New York and can't get home (at least she has George Osborne and Andrew Neil for company!) and my step-daughter who is flying in from Turkey can't get her flight confirmed. Merry Christmas everybody!

Best wishes from Simon
Silkworms Ink said…
As someone who has had their Christmas ruined by the snow/airport clog up, I couldn't agree more Todd!

-Phil
Anonymous said…
Brutish Airways Authority is in fact a Spanish company. Not that it makes an iota of difference to their incompetence, just that the appalling Brits need to be castigated for losing control rather than for simply exercising it badly.

Popular posts from this blog

A  poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....