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Contra continues the buried lyric references to military history (especially failed rebellions), and architecture, while keeping the songs mainly surface-level about love and privileged youth (as in the song "Diplomat's son"). Musically, the ten clean songs here are, if anything, an improvement- better produced, more complex and a teensy bit more varied. Still, the band's leitmotif is rich uniformity- the cover design of their new album is almost identical to their last- so the songs are almost identically upbeat and as fun as first time out.
The image of contradiction and mirror opposites plays well across the album as a whole which is bookended by the best two songs, the first the more romantic ('here comes a feeling you thought you'd forgotten) and last- pace Radiohead- the most wistfully haunted. Some query the band's non-Kleinian insistence on Yes Logo modishness- the pretty girl on the cover is branded by Ralph Lauren's polo player. Perhaps the contradiction between music from Soweto and casual glamour from the American mall sums-up our anti Copenhagen moment as well or better than Cormac's dystopias.
This will be a top ten album for 2010 unless something miraculous happens. But hard to imagine where they grow from here.
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