Skip to main content

Poem by Patricia Clark

Eyewear is very pleased to welcome Patricia Clark (pictured) this Friday. I met her recently at Kingston University, which she was visiting, and we had a very engaging lunch together, discussing poetry, and creative writing. I hope to arrange a reading for her next time she is in the UK.

Clark is Poet-in-Residence and Professor in the Department of Writing at Grand Valley State University. She is the author of three books of poetry: She Walks Into the Sea (forthcoming in 2009), My Father on a Bicycle (2005), and North of Wondering (1999).

Her poetry has appeared in magazines such as The Atlantic Monthly, Slate, Poetry, and Woman. She has also co-edited an anthology of contemporary women writers called Worlds in Our Words. Her chapbook of poems, Given the Trees, is one of the initial four in a series from the American Land Publishing Project.

Clark graduated from the University of Washington (in economics), going on to receive an MFA in English and creative writing from the University of Montana and a Ph.D. in English from the University of Houston. Clark was invited with two other poets to open the Library of Congress's noon reading series in Washington, D.C. in 2005.


Out With The Monarch, The Vole, And The Toad


To live as they do, vulnerably, in the air,
the wing-assaulting wind, to breathe
the wind, the cool September air, and watch
the Sweet Autumn clematis twine and climb.
To live with the scuff and smatter of leaves
at the burrow hole, the dying fall of the pink
geranium petal, the tomato stalk blackening from last
the dead night's chill. To live with the thought, the weight
branch pitching down to shatter in the yard,
the hawk's shadow, the days ahead
without sun. A full moon spills its cream
over Dean Lake and boys at midnight
putter on their scow. An exhalation from the lake
rises to surround them, safe with a light,
though far from shore. To live with water's depth
and dark, some force that wants to pull things
in and down. To live hidden, hurrying, hurt.
The toad finds the upturned pot and crouches there,
but the snake crawls across the flagstones' warmth
and surprises it. To live the death, the thrash
in red, the awful struggle, to let breath go.
To hunker down and yet be lifted up, skin tingling,
synapses firing, the heart a-beat, awash, eyes
wide, nose lifted to what is perceptibly near.

poem by Patricia Clark

Comments

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise