There is a tide in the affairs of men, and so on. Gordon Brown, the British PM with the sombre brow and deep solemn voice, this week-end made a terrible mistake. As the whole country seemed to be running pell-mell down a hill to a general election - this riderless cycle set in swing by the kick of no other than Brown himself - he suddenly showed a loss of nerve, and called the whole thing off. Inevitability has never looked so second-rate. Brown has cancelled the check he wrote, the one that, if cashed, would have given him a major win, I believe. Instead, looking into the whites (or greens) of that pseudo-Blair, Tory Cameron (un-teleprompted that he is), Mr. Brown blinked. He caved in. He threw in the towel. He is the Northern Rock of UK politics, now, on which Labour will build increasingly shifting fortunes. Time will run out, Mr. Brown. You lost your moment. Like Hamilton, in pole position, your tire blew before you got to lift the golden prize.
When you open your mouth to speak, are you smart? A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional. Basically, it goes like this: once you are safely dead, it no longer matters how smart you were. For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ? Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets. But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ? How smart could Pound be with his madcap views? Less intelligent poets are often more popular. John Betjeman was not a very smart poet, per se....
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