Skip to main content

Poem by Claire Crowther

Eyewear is very glad to welcome Claire Crowther (pictured). I met her a few years ago at a writing workshop in Norwich, and then followed her poems as they appeared in places like The Times Literary Supplement, Poetry Review, and Magma (she was featured there Winter 2006). She's a very good poet, and it is splendid news her collection is out.

Crowther spent many years as a consumer journalist, editor and director of communications in the British media industry. She began writing poetry nine years ago. Her work has been selected for several anthologies; current examples are We are Twenty People (Enitharmon Spring 2007) and Only Connect (Cinnamon Press 2007).

Her first collection Stretch of Closures (Shearsman Press) was recently published in January 2007. Two years ago, she was offered a bursary by Kingston University to write a full length second collection of poetry on the theme of grandmotherhood. This is due out from Shearsman Press in November 2008.


Honeymoon

Even the rock smells its mortality,
even through millennia. Even granite
senses its exfoliation. She is

determined to see Bridal Veil Fall
but he, scared of such a steep gradient,
a cliff falling away to one side,

no fence to the path, grips any
girth, bole or boulder. Going, going,
ready or not, she shouts ahead of him.

Clouds skip flimsy dresses across the sky.
He watches out for streams, gullies,
twists his ankle tripped by swallow-holes,

stumbles over roots. Here at last
is the green lace, aqua silk,
torn, wrinkled, its slippery nature

pouring away, less like Niagara
than tears, and her, a full cast
of his own damp, uncommon faces.


first published in Ambit 183, Winter 2006; reprinted by permission of the author

Comments

Molly said…
One of the century's best. I will follow this poet, her depth and perception in her writing enter my soul. Her poetry is universal, thank you

Popular posts from this blog

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".

THE SWIFT REPORT 2023

I am writing this post without much enthusiasm, but with a sense of duty. This blog will be 20 years old soon, and though I rarely post here anymore, I owe it some attention. Of course in 2023, "Swift" now means one thing only, Taylor Swift, the billionaire musician. Gone are the days when I was asked if I was related to Jonathan Swift. The pre-eminent cultural Swift is now alive and TIME PERSON OF THE YEAR. There is no point in belabouring the obvious with delay: 2023 was a low-point in the low annals of human history - war, invasion, murder, in too many nations. Hate, division, the collapse of what truth is, exacerbated by advances in AI that may or may not prove apocalyptic, while global warming still seems to threaten the near-future safety of humanity. It's been deeply depressing. The world lost some wonderful poets, actors, musicians, and writers this year, as it often does. Two people I knew and admired greatly, Ian Ferrier and Kevin Higgins, poets and organise...