A few weeks back this blog predicted Trump was likely to win the US Presidential Election 2024, which is underway today. We now think that was incorrect. In the past few weeks, Trump alienated, needlessly of course, and without apology, of course, Americans with Puerto Rican connections; made unveiled sinister comments about being "nasty" when elected; and hinted he would protect women even if they didn't want him to; he also made "jokes" about journalists that sounded odd to put it politely. The list of reasons is long, but if he loses it will clearly be because more people voted for VP Kamala Harris , which makes sense in a less madhouse world. Trump poses such a danger to America and the world, and has such a history, that it is extraordinarily sad and off-putting that almost half of American voters seem to prefer him to a sane, intelligent, hard-working and successful woman leader, without a criminal record, who, yes, sometimes smiles and laughs. We shall s
Probably the most dull thing to do is to discuss a movie that critics have already consigned to the dustheap of critical disapproval, where all the ladders start. Here goes nothing... The whole Francis Ford Coppola story of Megalopolis has been done to dust by now - we know he spent his own oodles of vineyard cash, to make a movie that all on set felt was lunatics running the asylum level batshit bad, and that the 40-year-gestating rough beast slithered out like a viscous grotesque from The Substance , to near-total disappointment, that worst of all responses, as if a Gladiator's codpiece slipped to reveal a tiny rubber duck. This man, we were reminded, was a Genius with the same capital G as for Godfather (1 and 2), and he also made The Conversation , and Apocalypse Now ; then loads of mediocre films, except some were zany and brilliant, like his Dracula . It is hard to think of any other filmmakers from America, other than say Spielberg, Scorsese, Kubrick, Ford, Welles, Wilder