Skip to main content

Turning Point

After September 2001, America experienced its burning Reichstag moment - a trumped-up (or misinterpreted) crisis laid the groundwork (amid the rubble in Manhattan) for the rise of an extremist American Presidency, one that could be described as neo-democratic, or pseudo-fascist, but is basically a new hybrid form of ideology - hyper-capitalism fused to hyper-militarism: do as we say or your're f----d as one Bush lieutenant put it.

In 2003, when I and countless other poets were among the first to warn of this, many in the media suggested this was mere scare-mongering. Now, as Bush is poised to attack Iran (see this week's The Economist for their sober version of how this could very well happen) and is offering to cut health care for the weak and aged in America to pay for his continuing insane war aims in Iraq, a turning point has occured, today - a major breaking point you might say.

Russia has said enough is enough.

The days of the hegemony are over. Unipower is being challenged, and not in cafes in Paris. The world's second-most-powerful nuclear state, and one with gas and oil reserves second only to the Middle East (or Texas), is throwing down its gauntlet.

Vladimir Putin has just said that America is very dangerous, and its use of military power has exceeded its borders and international law, fuelling a new arms race.

Read another way: hands off Iran - this is Russia's new sphere of influence.

We are now officially in a new cold war - some pundits call it a cold peace. Same difference.

Bush and his war criminal cronies are to blame. America is being piloted by people who, in any other circumstances, would be considered insane, or worse, "evil". The time is fraught with hope (Obama, Clinton) and terrible dangers. The 00s are like the 30s. But who in the West is this time speaking out? Not Blair.

It's an ironic moment in history when America can be lectured to by Russia. They should listen.

http://news.bbc.co.uk/1/hi/world/middle_east/6349287.stm

Comments

Popular posts from this blog

A  poem for my mother, July 15 When she was dying And I was in a different country I dreamt I was there with her Flying over the ocean very quickly, And arriving in the room like a dream And I was a dream, but the meaning was more Than a dream has – it was a moving over time And land, over water, to get love across Fast enough, to be there, before she died, To lean over the small, huddled figure, In the dark, and without bothering her Even with apologies, and be a kiss in the air, A dream of a kiss, or even less, the thought of one, And when I woke, none of this had happened, She was still far distant, and we had not spoken.

Poetry vs. Literature

Poetry is, of course, a part of literature. But, increasingly, over the 20th century, it has become marginalised - and, famously, has less of an audience than "before". I think that, when one considers the sort of criticism levelled against Seamus Heaney and "mainstream poetry", by poet-critics like Jeffrey Side , one ought to see the wider context for poetry in the "Anglo-Saxon" world. This phrase was used by one of the UK's leading literary cultural figures, in a private conversation recently, when they spoke eloquently about the supremacy of "Anglo-Saxon novels" and their impressive command of narrative. My heart sank as I listened, for what became clear to me, in a flash, is that nothing has changed since Victorian England (for some in the literary establishment). Britain (now allied to America) and the English language with its marvellous fiction machine, still rule the waves. I personally find this an uncomfortable position - but when ...

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se....