The major English poet Geoffrey Hill is well-known for arguing that confessional poems of the quotidian fail to reach the immense heights of more imaginative, less-self-centred, poetry. From this position (which I have simplified for the sake of debate) then follows a dismissal of nearly all the poets, poems and poetry since 1945, including Larkin's, Plath's, Lowell's , etc. It is good for great poets to have their own guiding lights, their own poetics, but is not so good for other readers and poets to believe them when they claim theirs is the chosen path. Poets do not make good messiahs. The best thing that poets give us (usually) is their poetry, not their criticism - and we are best to go by that. Empson and Jarrell may be the exceptions here. In the case of Hill, it is hard to locate his idea of the imagination in his work, which is almost never quite as grandly imaginative in the way that say Milton 's was. Hill is a rhetorical poet more like Pope , or Dr
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