The
currency I traded in
Is bearish now, at fifty-nine
My volatility index has squandered
Its lows and highs, is in
decline –
The lyric force is muted by
the times,
Which lie like bricklayers build
brick
To brick – as that song
went, another
And another – that was the
image,
If I recall, from dark gyms,
at fourteen
Or so, terrified to dance
slow, or quick,
With those around me on the
walls;
Music, that brings us back
to ourselves,
Takes us out to sea as well,
Like a drug that can murder
or revive;
What language can I use to
defend a form,
A rhetoric, even, that has
been designed
To crush whole peoples, sign
by sign?
Tanks roll on, drones scour
the air like hawks,
To hurt the ones below, but
only poetry kills
By sound or fine-bonded
lines. To me,
What’s serene or boundless
in a poem thrills,
But it advances in English,
crushes like a love
That will not slow dance to
urgency in grade nine.
The world was bad in
sixty-six, has always been,
One supposes, ruled by the
maniac fixed on deformities
Of the soul, that no plastic
arts can reshape to good;
But at this peak of my presence,
albeit stumbling,
I can locate, as if to blow
apart, on the unsafe ground,
A collective malice in the
blood, like perfume,
Except an odour of varied
virulent sprays, wafting
Over borders like a gas;
what can we do, who mask
Ourselves with words, to play
for better futures?
I have listened to the sleepless
inkwell night,
And dipping into the inexplicable
infinites of minus
Light, have understood a
signal from the solar winds:
It says, in no language but
of mathematics, or the divine,
As if Bach had been a hole
that whorled back into sight,
Bring on the great floods,
make the world without form again,
So in the weird stillness
before creation a differing biology
Can think itself into
manifestation on an open canvass,
Rebirth of all that struggles, fights knives out, without cease;
As kindness is a primary symptom of both love and peace.
April 8, 2025
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