As another great season of ten perfectly-crafted episodes of The Bridge (yet another great Scandinoir) ends, leaving Saga in the rain with great responsibility on her shoulders, and some life lessons still to be learned, Eyewear welcomes this reflection by brilliant American writer Steven Timberman on Sherlock ’s strange, surreal, and off-putting third series. BBC’s Sherlock reimagining has always been an odd duckling. In it’s first two series Moffat and his team created a Sherlock Holmes that slotted nicely between complete fealty to the source material and entirely abandoning the spirit of the original stories. Moffat’s Sherlock stood out – both from the original stories and the endless imitators currently clogging up the television. And then Sherlock took two years off. Cumberbatch became Assange and Khan, Freeman went to Middle Earth, and Moffat hopped in the TARDIS for a while. After watching Sherlock ’s first three episodes in two years, I felt discombobulated. Th...
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