Probably the most dull thing to do is to discuss a movie that critics have already consigned to the dustheap of critical disapproval, where all the ladders start. Here goes nothing... The whole Francis Ford Coppola story of Megalopolis has been done to dust by now - we know he spent his own oodles of vineyard cash, to make a movie that all on set felt was lunatics running the asylum level batshit bad, and that the 40-year-gestating rough beast slithered out like a viscous grotesque from The Substance , to near-total disappointment, that worst of all responses, as if a Gladiator's codpiece slipped to reveal a tiny rubber duck. This man, we were reminded, was a Genius with the same capital G as for Godfather (1 and 2), and he also made The Conversation , and Apocalypse Now ; then loads of mediocre films, except some were zany and brilliant, like his Dracula . It is hard to think of any other filmmakers from America, other than say Spielberg, Scorsese, Kubrick, Ford, Welles, Wilder
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