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Showing posts with the label james christopher sheppard

Panic of Girls: JCS reviews the new Blondie album

James Christopher Sheppard reviews Panic of Girls by Blondie After some record company issues spanning almost a year, Blondie independently release their ninth studio album, Panic of Girls , on 4 th July 2011. For die-hard fans, the special collectors edition of the album is available in UK from the beginning of June, complete with a 132 page magazine featuring an exclusive glance at the story behind the album, images, interviews and an overview of the band’s incredible career. So how does it sound? Impressively, Blondie seem to have come up with their freshest sounding collection of new songs in years. Panic of Girls furthers Blondie’s domination over the new wave genre and brings them into their fifth consecutive active decade as a band. ‘D-Day’ Establishing Blondie’s new sound as evolved and as edgy as ever, ‘D-Day’ is an up-beat, synth-tastic, addictive opening. This song has more punch than ‘Maria’, with an athemic chorus, big beats and Miss Deborah Ann Harry ’s voice sounding...

Gaga Black Sheep?

The beginning of the end for GaGa? By James Christopher Sheppard For almost three years now, Lady GaGa has reigned supreme as the multi-million selling iconic pop star of the age. She has launched four of her first six singles to the top of the UK charts, sold over 12 million copies worldwide of her first album The Fame/The Fame Monster and is still on the epically successful and hugely long Monster Ball Tour. Love her or hate her, the success and buzz around everything GaGa does is something quite spectacular. Having produced credible, edgy dance tracks such as ‘Bad Romance’ and ‘Paparazzi’ and establishing herself as a vocally gifted musician, as well as writer, the mind boggles when hearing the first two singles released from her new album, the hugely hyped, Born This Way. In February you’d have been hard pushed not to have heard ‘Born This Way’- the first brand new single from GaGa since ‘Bad Romance’, which hit #1 in December 2009. The difference between these two tracks cou...