There has never been an act like it. Though the cruelly-executed mass-murder in Oslo is not numerically the worst terrorist outrage in human history, it is hard to think it is not the worst single-person act of murder, barring mad dictators. The individual in question seems to have acted alone, stepping out of central casting as half Nazi-arch-villain, half Scandinavian lone wolf, a Kierkegaard with bullets. Too often the phrase cinematic is used for these insane projects, but this one was timed with the grandiose perfection of a brilliant engineer, and has the hallmarks of a barely-plausible Stieg Larsson thriller. It is unbelievable to think one man could set off destruction at the heart of a nation's political centre only to use that as a diversion to strike at the heart of its youth, miles away, on a pleasant summer island, dressed as an officer of the law. It is ironic, and demonic. It is made worse when one realises the killer surrendered c...
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