E Y E W E A R, THE BLOG - FREEDOM MEANS BEING UNAFRAID TO WRITE WHAT YOU THINK

I have post- The Killing blues, after completing the Box Set marathon.  British viewers will know that, recently, a moody 20-hour Danish TV series from 2007 (now being aired in America as a remake with the same name) caught the imagination of the mystery-mad UK.  Combining aspects of The X-Files (the paranoia, the flashlights/torches, the man-woman detective team, the creepy ambiance and techno theme), The Wire (complex examination of politics, the media, and schools, as well as police procedure), and Prime Suspect (enigmatic determined female DCI up against a thick-skulled patriarchy), The Killing is one of the best TV shows Eyewear has ever seen.  Britain wanted the nerdy wool-knit sweaters Sarah Lund, detective, wore. This is not the place for a spoiler alert, but the only problem with the brilliantly twisty show (with its superb silent montage sequences at the end of every episode) is that its dramatic structure was so literate (combining Ibsen and Shakespear...