STEVEN TIMBERMAN ON TELEVISION IN 2014 How good was 2014 for TV? So good that there is no critical consensus. Years past saw a relatively small list of television shows dominate the critical conversation – The Sopranos, The Wire, Breaking Bad, Mad Men, Deadwood , maybe a sprinkling of Friday Night Lights or Lost if the critic wants to feel particularly transgressive. Shows written before 1999 are seen not as genuine predecessors but chicken scratch compared to the gorgeous calligraphy to come. It remains one of the things I love about American television – with ample time and a steady hand a relative newcomer can easily track down and absorb the medium’s accepted canon. A medium in relative infancy has no room for the gloriously messy and anarchic world of literary publishing. And then 2014 happened. With Walter White’s conclusion told with deadened clarity, critical consensus collapsed. Critics went from arbiters to advocates – for the single-minded True Detective , the of...
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