Hats off to poet Christoper Reid for his recently-announced win of a Costa prize for best poetry collection of the year. A Scattering is a powerful elegiac book, comparable to the work of Hardy and Douglas Dunn, who also wrote of the remembered loss of their wives. It is good- in a year that has seen a newer generation seemingly seize the reigns in the UK poetry firmament- to see an elder statesman of poetry, whose work came into prominence in the 70s and 80s as a so-called Martian- get a look in.
THAT HANDSOME MAN A PERSONAL BRIEF REVIEW BY TODD SWIFT I could lie and claim Larkin, Yeats , or Dylan Thomas most excited me as a young poet, or even Pound or FT Prince - but the truth be told, it was Thom Gunn I first and most loved when I was young. Precisely, I fell in love with his first two collections, written under a formalist, Elizabethan ( Fulke Greville mainly), Yvor Winters triad of influences - uniquely fused with an interest in homerotica, pop culture ( Brando, Elvis , motorcycles). His best poem 'On The Move' is oddly presented here without the quote that began it usually - Man, you gotta go - which I loved. Gunn was - and remains - so thrilling, to me at least, because so odd. His elegance, poise, and intelligence is all about display, about surface - but the surface of a panther, who ripples with strength beneath the skin. With Gunn, you dressed to have sex. Or so I thought. Because I was queer (I maintain the right to lay claim to that
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Christopher Reid is hardly a poetry outsider. He was poetry editor of Faber & Faber during the 1990's and rejected my own work on several occasions. However I am not one to bear grudges and intend to buy a copy of his book as soon as I can afford it.
Best wishes from Simon