Skip to main content

Canadian poetry shortlists


Announcing the Gerald Lampert & Pat Lowther Award Shortlists

April 2, 2012, Toronto: The League of Canadian Poets (LCP) is pleased to announce the shortlist for its 2012 Pat Lowther and Gerald Lampert Memorial Awards. Congratulations to the authors for their fine work and many thanks to the jurors for their hard work on this year’s awards.
Winners of these awards will be announced during a special ceremony at the annual LCP Poetry Fest and Conference to be held at the Park Town Hotel in downtown Saskatoon (924 Spadina Crescent East, Saskatoon, SK) on June 16, 2012.

Gerald Lampert Award Shortlist:
The Gerald Lampert Memorial Award is given in the memory of Gerald Lampert, an arts administrator who organized authors' tours and took a particular interest in the work of new writers. The award recognizes the best first book of poetry published by a Canadian in the preceding year. The award carries a $1,000 prize.
True by Kirsty Elliot (Leaf Press)
Yes. by Rosemary Griebel (Frontenac House Media Ltd.)
Paramita, Little Black by Suzanne Robertson (Guernica Editions)
Do Not Call Me By My Name by Lisa Shatzky (Black Moss Press)
Sweet Devilry by Yi-Mei Tsiang (Oolichan Books)
Gulf by Leslie Vryenhoek (Oolichan Books)
2012 Jury: Ronnie R. Brown, Dennis Cooley, Wendy Morton

Pat Lowther Award Shortlist:
The Pat Lowther Memorial Award is given for a book of poetry by a Canadian woman published in the preceding year, and is in memory of the late Pat Lowther, whose career was cut short by her untimely death in 1975. The award carries a $1,000 prize.
A Page from the Wonders of Life on Earth by Stephanie Bolster (Brick Books)
Small Mechanics by Lorna Crozier (McClelland & Stewart Ltd.)
outskirts by Sue Goyette (Brick Books)
Yes. by Rosemary Griebel (Frontenac House Media Ltd.)
Groundwork by Amanda Jernigan (Biblioasis)
Forge by Jan Zwicky (Gaspereau Press)
2012 Jury: Katherine Bitney, Sarah Klassen, Nela Rio
(See www.poets.ca for complete author bios and book descriptions)
Post a Comment

Popular posts from this blog

AMERICA PSYCHO

According to the latest CBS, ABC, etc, polls, Clinton is still likely to beat Trump - by percentile odds of 66% to 33% and change. But the current popular vote is much closer, probably tied with the error of margin, around 44% each. Trump has to win more key battleground states to win, and may not - but he is ahead in Florida...

We will all know, in a week, whether we live in a world gone madder, or just relatively mad.

While it seems likely calmer heads will prevail, the recent Brexit win shows that polls can mislead, especially when one of the options is considered a bit embarrassing, rude or even racist - and Trump qualifies for these, at least.

If 42-45% of Americans admit they would vote for Trump, what does that say about the ones not so vocal? For surely, they must be there, as well. Some of the undecided will slide, and more likely they will slide to the wilder and more exciting fringe candidate. As may the libertarians.

Eyewear predicts that Trump will just about manage to win th…

DANGER, MAN

Like a crazed killer clown, whether we are thrilled, horrified, shocked, or angered (or all of these) by Donald Trump, we cannot claim to be rid of him just yet. He bestrides the world stage like a silverback gorilla (according to one British thug), or a bad analogy, but he is there, a figure, no longer of fun, but grave concern.

There has long been a history of misogynistic behaviour in American gangster culture - one thinks of the grapefruit in the face in The Public Enemy, or Sinatra throwing a woman out of his hotel room and later commenting he didn't realise there was a pool below to break her fall, or the polluted womb in Pacino'sScarface... and of course, some gangsta rap is also sexist.  American culture has a difficult way with handling the combined aspects of male power, and male privilege, that, especially in heteronormative capitalist enclaves, where money/pussy both become grabbable, reified objects and objectives (The Wolf of Wall Street for instance), an ugly fus…

OSCAR SMOSHCAR

The Oscars - Academy Awards officially - were once huge cultural events - in 1975, Frank Sinatra, Sammy Davis Jr, Shirley MacLaineandBob Hope co-hosted, for example - and Best Picture noms included The Conversation and Chinatown. Godfather Part 2 won. Last two years, movies titled Birdman and Spotlight won, and the hosts and those films are retrospectively minor, trifling. This year, some important, resonant films are up for consideration - including Hidden Figures and Moonlight, two favourites of this blog. Viola Davis and Denzel Washington will hopefully win for their sterling performances in Fences. However, La La Land - the most superficial and empty Best Picture contender since Gigi in 1959 (which beat Vertigo) - could smite all comers, and render this year's awards historically trivial, even idiotic.

The Oscars often opt for safe, optimistic films, or safe, pessimistic films, that are usually about white men (less often, white women) finding their path to doing the right thin…