Skip to main content

You Are Here: Poetry As Theatre

Colette Bryce, Daljit Nagra and Jo Shapcott, write emotional, complex, funny and engaging poems. Publishers, readers and prize judges alike love them. You Are Here is a new poetry show which brings the poets together on stage for a beautifully designed performance which asks Who are you? Where are you and where are you going? Poems pose the questions and whisper the answers.

You Are Here is produced by Jaybird, the live literature production, promotion and management enterprise run by Julia Bird. (Julia also works part time for the Poetry School and recently published her own first collection of poetry).

She says ‘I have worked as a poetry promoter for years, but I also have a love of theatrical sparkle and spectacle. When I produce live literature shows like You Are Here (and Tilting the Mirror with Jean Sprackland and Greta Stoddart previously) I am trying to find a way to introduce the pleasures and provocations of contemporary poetry to a theatre or arts centre audience. This I do by adding the expectations that a theatre audience might have (a show with direction, a set, lighting and music that takes place in a theatre rather than a literature festival tent) to the most interesting and gorgeous poetry I can find. The You Are Here rehearsal period has just finished - we dodged the snow, luckily. The poets and the director have worked fantastically hard to create an hour long show which is full of music, meditation, humour and beauty ... all you could want from poetry, really!’

The show is on tour, the first night in Norwich is on 20th January; the last night in London is on 26th April. Performances also take place in Bath, Cambridge, Chipping Norton, Hull, Lancaster, Liverpool, Newcastle, Stockton and Torrington. Dates & details are at http://www.blogger.com/.
Follow the show's progress on Facebook and Twitter ...
Facebook group: You Are Here - a poetry show http://www.blogger.com/

Comments

Popular posts from this blog

CLIVE WILMER'S THOM GUNN SELECTED POEMS IS A MUST-READ

THAT HANDSOME MAN  A PERSONAL BRIEF REVIEW BY TODD SWIFT I could lie and claim Larkin, Yeats , or Dylan Thomas most excited me as a young poet, or even Pound or FT Prince - but the truth be told, it was Thom Gunn I first and most loved when I was young. Precisely, I fell in love with his first two collections, written under a formalist, Elizabethan ( Fulke Greville mainly), Yvor Winters triad of influences - uniquely fused with an interest in homerotica, pop culture ( Brando, Elvis , motorcycles). His best poem 'On The Move' is oddly presented here without the quote that began it usually - Man, you gotta go - which I loved. Gunn was - and remains - so thrilling, to me at least, because so odd. His elegance, poise, and intelligence is all about display, about surface - but the surface of a panther, who ripples with strength beneath the skin. With Gunn, you dressed to have sex. Or so I thought.  Because I was queer (I maintain the right to lay claim to that

IQ AND THE POETS - ARE YOU SMART?

When you open your mouth to speak, are you smart?  A funny question from a great song, but also, a good one, when it comes to poets, and poetry. We tend to have a very ambiguous view of intelligence in poetry, one that I'd say is dysfunctional.  Basically, it goes like this: once you are safely dead, it no longer matters how smart you were.  For instance, Auden was smarter than Yeats , but most would still say Yeats is the finer poet; Eliot is clearly highly intelligent, but how much of Larkin 's work required a high IQ?  Meanwhile, poets while alive tend to be celebrated if they are deemed intelligent: Anne Carson, Geoffrey Hill , and Jorie Graham , are all, clearly, very intelligent people, aside from their work as poets.  But who reads Marianne Moore now, or Robert Lowell , smart poets? Or, Pound ?  How smart could Pound be with his madcap views? Less intelligent poets are often more popular.  John Betjeman was not a very smart poet, per se.  What do I mean by smart?

"I have crossed oceans of time to find you..."

In terms of great films about, and of, love, we have Vertigo, In The Mood for Love , and Casablanca , Doctor Zhivago , An Officer and a Gentleman , at the apex; as well as odder, more troubling versions, such as Sophie's Choice and  Silence of the Lambs .  I think my favourite remains Bram Stoker's Dracula , with the great immortal line "I have crossed oceans of time to find you...".