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Easter In England

Christ has risen, but not, it seems, in secular England. A quick look at the terrestrial TV listings for this long holiday weekend reveal no stone has been unturned, to present any even vaguely religious, uplifting, or redemptive shows. Where are any of the great Biblical TV or film epics of old? Or a family musical? Beyond the wasteland of cringingly-secular TV, turn to the pages of The Sunday Times - whose pages make no mention that this is the holiest day of the year for Anglicans and Catholics - hardly a complete minority of readers. Instead, lewd stories of brothels in Nazi-occupied France, and the latest sleaze from the Gordon Brown inner circle (which looks increasingly Nixonian) are paraded before us.

What has happened to England, and, more generally, to the UK? Its churches are half-empty - and so are its poetry readings. I see a connection (Eyewear always does, of course) between the ebbing of the sea of faith, and the decline in an interest in poems. Consider how many of the modern greats wrote religious or spiritual poems: Whitman, Dickinson, Hardy, Eliot, Auden, Prince, Dylan Thomas; even Wallace Stevens explored atheism with a sense of the numinous. There has been a lazy atheism at work in British popular culture since the 1960s that can be roughly linked to the easy hedonism of the rock and roll and comedy ethos. But life is not just a joke, or a three minute song, however perfect. After the sex, and the drugs, there are deeper implications, farther needs. I am not convinced that science, technology, or the entertainment industries have managed to find any magic bullets for that part of the self - call it a soul - which calls out for healing, and to love, often unconditionally.

Poetry, when joined to the sacred, can be empowered - and, indeed, even an honest struggle with faith - as one encounters in Hopkins, or R.S. Thomas - can be thrilling and profound. However, Larkin's surprsing hunger for the serious has been strip-mined by the British media - and blogs now feed this devil's banquet as much as the older formats. Yesterday, my neighbour rang my door at midnight to say to me "Happy Easter! God is dead!" - his idea of an atheist's prank. What a sad statement on the world of today. Eyewear tries to respect a variety of faiths, beliefs, and philosophies, but has little time for pure negativity, of any kind, especially when it seems aimed at merely cheapening the complex and various experiences of the inner life. Poets who deny the possibility of another world, or life, beyond this one, must surely be reducing their visionary range immensely. At any rate, however austere or low the horizon, the thing to do, one hopes, is to try and spot something better, ahead. Peace be with you.

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Announcing the Shortlist for the 2016 Sexton PrizeSeptember 13, 2016 / By Kelly Davio
Eyewear Publishing is pleased to announce the shortlist for the 2016 Sexton Prize. The finalists are, in no particular order, as follows:

HISTORY OF GONE, Lynn Schmeidler
SEVERE CLEAR, Maya Catherine Popa
SIT IN THE DARK WITH ME, Jesse Lee Kercheval

The shortlist was selected by Eyewear’s Director Todd Swift with Senior Editor Kelly Davio. Don Share of Poetry Magazine will select the winning manuscript, which will be released at the 2017 AWP conference in Washington, D.C. The winner will be announced in October. 
Congratulations to our finalists!